Synetic Theater The Taming of the Shrew
By Genie Baskir • Apr 4th, 2012 • Category: ReviewsThe language of dance and mine is universal and this company has made theatre something worth paying for again.
The language of dance and mine is universal and this company has made theatre something worth paying for again.
A character driven story on a section of Galileo’s life that was well performed and led the way to a new era and way of thinking.
Rockville Little Theater’s production of Byrony Lavery’s Frozen provides rich opportunities for thinking and talking about justice, responsibility, remorse and forgiveness, and recovering from the most terrible blows life has to offer.
The three person cast brings to life not only a tale of a hungry wolf and a loud grandmother, but also a little girl who wants to learn about a world of imagination.
Aladdin and the Magical Lamp was a fun, family friendly show appropriate for ages 2 to 8 or so.
This is an ambitious production to take on, particularly with a large, younger cast, and features several upbeat musical numbers.
Riverside Dinner Theater in Stafford, Virginia, provides a faithful, competent, and often polished reproduction of the 1998 Broadway revival of the Kander and Ebb musical, Cabaret, a show that has always had moments of greatness along with noteworthy flaws.
This Mamet production didn’t disappoint. Plus ca change, c’est la meme chose.
Bowie Community Theatre’s production of Yasmina Reza’s Art, currently playing at the Bowie Playhouse, is an engaging and well-crafted piece of well, “art.”
The jazzmen of Warren Leight’s 1999 Tony-winning play, Side Man, have come to see themselves as the last, dying remnant of a music to which their lives have been passionately, even obsessively, committed.