PWLT’s Red Scare on Sunset was an enigma: a great design concept and competent actors merged with a confusing plot didn’t quite equal a completely enjoyable show.
Puerto Rico !Fua! is an engaging musical review that has been playing in one place or another for the past 35 years.
Keegan Theatre’s Spring Awakening is a worthy endeavor bolstered by an incredible male cast, top rate music and an artfully crafted century old story. Go see it if you can.
Synetic Theatre has constructively embarked on a principled, yet not doctrinal, mission to remind us all of the safety and cleanliness and trustworthiness of American life and we should thank it and our lucky stars for being here and not there.
Altogether 2nd Star Productions’ Fiddler on the Roof is a fine rendition of a tough musical that avoids descent into minstrelsy and makes good on its offer of gorgeous entertainment.
Dominion Stage is giving us big boy talent in a close and intimate setting at an affordable cost.
A Little Night Music is a show that is easy to love, and there is a lot to like in the current TAP production.
Overall, Encore’s Charlotte’s Web was a fun performance that all ages could enjoy.
Director Beth Hughes-Brown keeps the energy up and the action moving as we try to divine just what is going on in this play, which is a worthwhile evening out.
WSC Avant Bard’s production of Sam Shepard’s The Tooth of Crime is a fun trip, albeit one that I am not quite sure I completely understood.