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The show is not bad; but it represents a distortion of history while advancing ignorance of a people’s history that reverberates today.

Imagination Stage’s collaboration with The Washington Ballet, an original adaptation of The Lion, The Witch, and The Wardrobe, packs quite a lot into its modest run time.

Love, Sex, and the I.R.S. was a fun, lighthearted comedy about what happens when you try to outwit the Internal Revenue Service.

There’s comedy. There’s tragedy. There’s romance. There’s even a piquant mix of poetry, politics, psychology, anthropology and philosophy. All in about an hour and a half.

Faction of Fools has figured out that there is no love without cheese, cut or otherwise and presents a series of comic scenes where the comic love is as tasty as the cheeses it references.

Josh Armenta’s The City of God is a self serious derivative of the works of Arnold Schoenberg and Boris Gudonov, only not as cheerful as the latter two.

Gilbert and Sullivan’s Trial by Jury is a traditionally-structured show in which the words are supremely important.

All three plays were crisply paced with well-timed interactions among the distinct characters, aided by crystal-clear diction.

Even though the scenes are short, they evoke powerful emotions that will make you feel like you are right there with them experiencing them.

You think you can handle a trip down Tilted Torch’s Wild Night? Then you better hold on to your tiny hats and your nipple tassels.